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Agana’s daughter, Marita, had a short-lived stint in the Philippine movies as “Tessie Agana Jr.” Marita appeared in For You Mama, 1970, with Gloria Romero and Luis Gonzales, and in Elizabeth, 1971. She also portrayed the young Irene Marcos in Pinagbuklod ng Langit (Joined by Heaven), 1969, and was one of the children in Lino Brocka’s Wanted: Perfect Mother, 1970. He has portrayed a variety of roles: a hippie in Beatnik, 1960; a Western gunfighter who challenges Dolphy to a duel in Barilan Sa Baboy-Koral (Gunfight at Pig’s Corral) and the devil, Lucifer, in Si Lucio at Si Miguel (Lucio and Miguel), 1962; and a wacky private sleuth in Detective Kalog and a fierce tribal chieftain in Tansan vs. Their siblings, Gabriel and Marita, work as model makers. All, except Ang Klon, have won awards in short-film festivals of the Experimental Cinema of the Philippines (ECP) and the Cultural Center of the Philippines (CCP). She played her first lead role in Jingy, 1967, opposite Fernando Poe Jr. He was married to Ester Hugo with whom he has seven children.
Agana received the Maria Clara Award as best child actress of the year for her dual role performance in Eddie Romero ’s Prinsesa at Pulubi, 1951, an adaptation of the famous classic, The Prince and the Pauper. By the time she appeared in the remake of Cofradia, 1973, in the role popularized by Gloria Romero in 1953, Alajar was already a Sampaguita contract star. His parents are actor Etang Discher and businessman Igmedio Tagle. Tarsan, 1963; Panchito has also appeared on television, as a regular co-host of Dolphy in the long-running Buhay Artista in the 1960s, and as guest actor in many other shows. The Alcazaren brothers have made eight animated films using clay: Hari (King), 1982; Headset and Huling Trip (Last Trip), 1983; Juan de la Cruz and Pagpula (Becoming Red), 1984; Ang Klon (The Clone), 1985; and C. In 1992 Juan exhibited his metal sculptures at the CCP Small Gallery. Among her later notable performances was in the film directed by Behn Cervantes, Sakada (Seasonal Cane Worker), 1976. Alvarado played his first bit role in Halik sa Bandila (A Kiss to the Flag), 1948, and his first starring role in Alyas Chain Gang (Alias Chain Gang), 1967.
After learning all that he could about film in London, Abaya returned to the Philippines to set up the family’s own movie production outfit, Cine Filipinas, Inc.
After two years of college in the University of Santo Tomas, he went to England and took up a diploma course in filmmaking at the London International Film School.
He received the Natatanging Gawad Urian in 1983 for his outstanding contributions to Philippine cinema, and the Film Academy Achievement Award in 1992. Pareja ACTORS WORKSHOP FOUNDATION (AWF) A nonstock, nonprofit foundation, the AWF aims to provide training to actors through workshops.Its centerpiece project is its AWF Scholarship Program for Young Actors which provides selected talents a year-long curriculum and training in acting. The film broke box-office records and helped Sampaguita Pictures rise again after a big fire gutted its studio. Nolasco ’s Siete Dolores (Seven Sorrows) and Mga Busabos ng Palad (Slaves of Fate), 1948; Eddie Infante ’s Ina (Mother), 1948; and Tony Arnaldo’s Anak ng Pulubi (Child of a Beggar), 1951.At one time, AWF produced a 30-minute daily TV drama called Wakasan which served as a practicum for workshop participants. She became the most popular child star of the decade of the 1950s, sharing top billing with major stars, such as Pancho Magalona and Lillian Leonardo in Anghel ng Pag-ibig (Angel of Love), 1951; Gloria Romero in Rebecca and Ramon Revilla and Sylvia La Torre in Ulila ng Bataan (The Orphans of Bataan), 1952; Katy de la Cruz and Norma Vales in Cumbanchera, 1953; and Fred Montilla in Nagkita si Kerubin at si Tulisang Pugot (Cherubim Meets Headless Bandit), 1954. Aguirre made her screen debut in Sampaguita Pictures ’ Himagsikan ng mga Puso (Revolt of the Hearts), 1938, which was based on the novel by Julian Cruz Balmaseda, Tala ng Bodabil (Star of Vaudeville). During the 1950s she was an exclusive contract star of LVN Pictures for mother roles in films like Pag-asa (Hope), 1951; Tia Loleng (Aunt Loleng), Tenyente Carlos Blanco (Lieutenant Carlos Blanco), and Matador (Bullfighter), 1952; and Tumbalik na Daigdig (Topsy-Turvy World) and Sa Paanan ng Bundok (At the Foot of the Mountain), 1953. She is the eldest child of Bernardino Alatiit of Roxas City and Angelica Liguid of Cavite. After high school, she took a one-year course on tourism and travel at the Centro Escolar University.The AWF specializes and offers courses in improvisation and the Eric Morris system of work. She is married to Rodolfo Jao, and their nine children reside with them in Valparaiso, Indiana, USA. This was followed by Campo O’Donnell (Camp O’Donnell), 1950, a war film, where she portrayed the daughter of Pancho Magalona and Linda Estrella.It also conducts special craft workshops for specific movie productions, and one-on-one tutorials for lead and support actors. Her biggest break came when she portrayed the role of a maltreated waif in Roberta, 1951.