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This is particularly true when it comes to showing vs.telling when it comes to emotions, thoughts and knowledge that the character has.Activate Your Voice: Avoid the Passive Prose These days, with so much competition, you might need more than a clever plot to attract readers.Active, energetic prose will bring your scenes and characters to life.Kim is Managing Editor for Sick Lit Magazine and an Assistant Editor for Firefly Magazine. She’s published in several online literary journals and print magazines, as well as featured in The 52 Men Podcast. The problem arises for many authors when they try to put that advice into practice.At the moment they first hear the advice it makes perfect sense…but like a complex algebra problem the clarity that existed at first evaporates quickly and then they are lost wondering if they are showing or telling.In this free, 5 day, workshop I will address the legal ways to shift point of view within manuscripts.We’ll cover shifting point of view at chapters and scene breaks and the more controversial changes of point of view which happen within scenes.

In this creative workshop, we will use different writing prompts, music, pictures, and methods to motivate and add inspiration to your writing. Pellegrino, breeder of German Shepherds and networker of fun, writes mystery and suspense.And you’ll get the expert advice of Alicia on how to edit in the energy into your prose.Here’s your chance to figure out what is dead and drowsy in your voice, and how to wake it up!Every time I teach a class on point of view and I mention head hopping someone tells me that Nora Roberts does it.Of course, this isn’t – for the most part anyway – true.

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